Framing
THE DREAMERS — From Zanzibar to Milan
This project treats the source text not as something to illustrate, but as something to spatialise. The work is conceived as a sequence of chambers and thresholds through which literature is encountered physically, atmospherically, and diplomatically.
Rather than compressing the material into a conventional portfolio tile, the project now holds its own page architecture—with room for framing, documents, partners, and future media.
