Michael Omoke
ENDanskDK
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Projects & Works

Flagship projects, developing works, productions, and a fuller timeline gathered into one calmer page.

Project index

Jump directly to the flagship works and key milestones.

2026–2028

THE DREAMERS — From Zanzibar to Milan

Flagship installation within Seven Gothic Tales — The Global Project. Tri-continental installation pathway (Denmark → USA → Zanzibar → Kenya).

Work-in-Progress — première 2028

Hedda Gabler in France

A reimagining of Henrik Ibsen’s Hedda Gabler, set against a secretive, sealed world in France—the moment before exposure.

2026–2030

Seven Gothic Tales — The Global Project

A multi-sensory reimagining of Karen Blixen’s debut Seven Gothic Tales (1934), unfolding through installations, spatial works, and transcontinental artistic pathways. Including the strand: A Literary Return to America.

2024

Nordic Classics Reimagined

International platform supported by the Nordic Culture Fund — research, development, and partnerships across continents.

2023

Silenced No More (Kenya)

Funded by the European Union, the Danish Agency for Culture and Palaces, and the Embassy of Denmark in Kenya. Staged For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf across Nairobi, Kisumu, and Mombasa.

Open New Nordic Voices project platform →

2021

Miss Julie’s Happy Valley

after August Strindberg’s Miss Julie (1888). Nordic debut as a playwright—premiered at Folketeatret (Copenhagen) and at the University of the Arts Helsinki.

Open New Nordic Voices production dossier →

2021

Miss Julie’s Out of Africa

Project framework—workshops and seminars built around Miss Julie’s Happy Valley.

2019

For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf

By Ntozake Shange—first staged in the Nordic countries by New Nordic Voices; premiered in Helsinki, then toured Denmark and Stockholm.

Open New Nordic Voices production dossier →

2018

New Nordic Voices

Concept + development platform connecting Denmark, Finland and Sweden (New Nordic Voices · Caisa · Intercult).

2017

Share Experience Workshop + Conference

Malmö — co-produced collaboration across Sweden–Denmark–Norway.

Flagship projects

Current and developing works across Denmark, the USA, and Kenya.

Installation Denmark → USA → Zanzibar → Kenya Nordic Classics Reimagined

SEVEN GOTHIC TALES — THE GLOBAL PROJECT

Supported in part by the Danish Ministry of Foreign Affairs and the Danish Ministry of Culture.

Ministry of Foreign Affairs of Denmark Danish Ministry of Culture

In partnership with Karen Blixen Museum, Rungstedlund, Denmark and the Consulate General of Denmark in New York.

THE DREAMERS — From Zanzibar to Milan — by Michael Omoke

A transformation of Karen Blixen’s “The Dreamers” (from Seven Gothic Tales, 1934)— transfigured into an immersive spatial labyrinth.

The first chapter in a long-term sequence translating all seven tales into multisensory installations.

Project Structure:

  • Syv Fantastiske Fortællinger — En Sanselig Genkomst til Danmark
  • A Literary Return to America
  • A Sensory Return to Kenya
Seven Gothic Tales — A Literary Return to America (USA)
Source text — opening of The Dreamers (1863)

“On a full moon night of 1863, a dhow was on its way from Lamu to Zanzibar, following the coast about a mile out. She carried full sails before the monsoon and had in her a freight of ivory and rhino horn. This last is highly valued as an aphrodisiac, and traders come for it to Zanzibar from as far as China. But besides these cargoes the dhow also held a secret load, which was about to stir and raise great forces, and of which the slumbering countries which she passed did not dream.”— Karen Blixen, The Dreamers (Seven Gothic Tales)

Theatre Global

SILENCED NO MORE

A suite of cultural productions and public dialogue addressing SGBV, FGM, and mental health stigma—combining performance, workshops, and civic partnership.

Supported by the European Union, Danida, the Danish Agency for Culture and Palaces, and the Danish Embassy in Kenya.

European Union Danida Danish Agency for Culture and Palaces Danish Embassy in Kenya
40 Kenyan artists employed
4 NGO collaborations
Public dialogue + workshops
3000+ audience
Theatre Cold War noir adaptation Nordic Classics Reimagined

Hedda Gabler in France (Work-in-Progress)

A reimagining of Henrik Ibsen’s Hedda Gabler, set against a secretive, sealed world in France—the moment before exposure.

Selected works & milestones

A compact record of productions and leadership work.

2026–2028
THE DREAMERS — From Zanzibar to Milan
Flagship installation within Seven Gothic Tales — The Global Project.
Tri-continental installation pathway (Denmark → USA → Zanzibar → Kenya).
Work-in-Progress — première 2028
Hedda Gabler in France
A reimagining of Henrik Ibsen’s Hedda Gabler, set against a secretive, sealed world in France—the moment before exposure.
2026–2030
Seven Gothic Tales — The Global Project
A multi-sensory reimagining of Karen Blixen’s debut Seven Gothic Tales (1934), unfolding through installations, spatial works, and transcontinental artistic pathways.
Including the strand: A Literary Return to America.
2024
Nordic Classics Reimagined
International platform supported by the Nordic Culture Fund — research, development, and partnerships across continents.
2023
Silenced No More (Kenya)
Funded by the European Union, the Danish Agency for Culture and Palaces, and the Embassy of Denmark in Kenya. Staged For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf by Ntozake Shange across Nairobi, Kisumu, and Mombasa, alongside public dialogue and youth engagement.
Press & reviews
2021
Miss Julie’s Happy Valley
after August Strindberg’s Miss Julie (1888). Nordic debut as a playwright—premiered at Folketeatret (Copenhagen) and at the University of the Arts Helsinki (Uniarts Helsinki). Nordic Classics Reimagined.
Press & reviews
2021
Miss Julie’s Out of Africa
Project framework—workshops and seminars built around Miss Julie’s Happy Valley.
2019
For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf
By Ntozake Shange—first staged in the Nordic countries by New Nordic Voices; premiered in Helsinki, then toured Denmark and Stockholm; later re-invited to Nordic Culture Point (Helsinki).
Press & reviews
2018
New Nordic Voices
Concept + development platform connecting Denmark, Finland and Sweden (New Nordic Voices · Caisa · Intercult).
2017
Share Experience Workshop + Conference
Malmö — co-produced collaboration across Sweden–Denmark–Norway.
2017
An Enemy of the People
By Henrik Ibsen (adapted by Arthur Miller)—produced in Ballerup, in Nordic collaboration with Nordic Black Theatre (Oslo) and Södra Community (Malmö), alongside ACT’s Denmark-based ensemble. Nordic Classics Reimagined
Press & reviews
2016
The Merchant of Venice
By William Shakespeare—producer and lead actor (Shylock). ACT’s debut production at Baltoppen LIVE (Denmark).
View full timeline

Earlier milestones and formative years.

2016
Founded New Nordic Voices
Company leadership and artistic direction. Debut production: The Merchant of Venice by William Shakespeare.
Curtain call from ACT’s debut production, The Merchant of Venice (2016)
Ensemble curtain call from ACT’s debut production, The Merchant of Venice (2016)
The Merchant of Venice — William Shakespeare (c. 1596–1598)
ACT debut production · Baltoppen LIVE (2016)
2002
Professional debut as an actor
Servant of Two Masters (Carlo Goldoni) — Phoenix Players, Nairobi · Role: Silvio.
Goldoni (1707–1793): an 18th-century commedia dell’arte landmark. Servant of Two Masters (1746).
Formative years under the mentorship of James Falkland

My professional debut came in Nairobi with Phoenix Players, where I played Silvio in Servant of Two Masters. It was an early entrance into repertory discipline, precision, and stage seriousness.

Between 2001 and 2003, my theatre education was profoundly shaped by James Falkland, founder of Phoenix Players in Nairobi. Under his leadership, the company became a place of rare discipline, rigor, and consistency — an apprenticeship in theatre at its most practical and exacting.

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Phoenix Players built an extraordinary theatrical engine: between 1983 and 2007, the company staged 394 productions — effectively a new play every three weeks, alongside an annual musical — inside an intimate thrust stage with an audience capacity of just 120. To be formed within that rhythm was nothing less than a serious theatrical apprenticeship.

I still recall, with deep fondness, that during the five-week run, Falkland paid for my taxi rides between Limuru and Hillcrest for the first two weeks, and between Limuru and the theatre for the following two weeks after each performance, making sure I got home safely. In those days, taxi travel was a real luxury, and the distance was no small hurdle.

I did whatever my hands could find in the company — acting, stage managing, collecting sets and costumes. Those early beginnings became my true autodidact training: practical, demanding, and formative.

Archival production still from Servant of Two Masters, Nairobi (2002)
Servant of Two Masters — archival production still, Nairobi (2002).
Archival production still from Servant of Two Masters, Nairobi (2002)
Servant of Two Masters — archival production still, Nairobi (2002).
2001
First play written, directed & performed
Sitting On Me — premiere at Nairobi Baptist Church, Nairobi (Kenya).
(Later: 2002 — Kenya National Theatre, Nairobi — Mavuno Festival.)
2001–2016
The “gap years” are explored in the forthcoming memoir-poem Post Gothic Perfume.
Michael Omoke portrait

Partners & Support

Institutions, collaborators, and funders connected to the work.

Institutional hosts & collaborators

University of the Arts Helsinki (Uniarts Helsinki) · Danish National School of Performing Arts · Folketeatret (Copenhagen) · Karen Blixen Museum Denmark · Icelandic House (Copenhagen) · Caisa — International Cultural Centre (Helsinki) · Intercult (Sweden) · CKI — The Danish Centre for Arts & Interculture . De Kreative Kontor . KU.BE Frederiksberg, ACT Kenya

Board Appointments

Center for Art & Interculture (CKI) Serves on the Board
Friends of Crossing Borders Serves on the Board

Contact

Invitations, partnerships, commissions, speaking, workshops.

Write to me

Best for: museums, theatres, embassies, municipalities, foundations, curators, producers.

Email Michael

Email: artisticdirector@thespians.dk